<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>Matthew Rosier</title>
	<link>https://matthewrosier.com</link>
	<description>Matthew Rosier</description>
	<pubDate>Thu, 22 Oct 2026 12:19:21 +0000</pubDate>
	<generator>https://matthewrosier.com</generator>
	<language>en</language>
	
		
	<item>
		<title>index</title>
				
		<link>https://matthewrosier.com/index</link>

		<pubDate>Mon, 09 Jan 2023 16:44:32 +0000</pubDate>

		<dc:creator>Matthew Rosier</dc:creator>

		<guid isPermaLink="true">https://matthewrosier.com/index</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>About</title>
				
		<link>https://matthewrosier.com/About-2</link>

		<pubDate>Mon, 09 Jan 2023 17:28:32 +0000</pubDate>

		<dc:creator>Matthew Rosier</dc:creator>

		<guid isPermaLink="true">https://matthewrosier.com/About-2</guid>

		<description>
	Matthew Rosier (1990) is an artist who makes public artworks with communities across the UK and internationally. His projects take place in everyday public spaces, using film, sound, projection, performance, and spatial design to create collective moments. While projects are often large in scale, they remain rooted in daily life and local connection.

Rosier’s work has been installed in public spaces in London, Paris, Austin, and Tokyo, and commissioned by local authorities including Westminster, Cheshire East, and the City of London, as well as institutions such as Somerset House, Historic Royal Palaces, the National Landscapes Association, British Council Japan, and the UK Space Agency.

His work has been presented at the Design Museum and the Victoria and Albert Museum, nominated for the Design Museum’s Designs of the Year, and awarded the Active Public Space Award, the London Contemporary Art Prize Public Vote Award, and the Museum + Heritage Innovation Award. His projects have also regularly featured on BBC and ITV.

Matthew studied architecture at Oxford Brookes University and The Bartlett, University College London, and was a resident at Fabrica, a design research centre in Italy.

info@matthewrosier.com

	
&#60;img width="4345" height="3476" width_o="4345" height_o="3476" data-src="https://freight.cargo.site/t/original/i/e319e1719b320f23e9f5ccfe42e9c01660ad6734747566fb6bf559bd826056df/DSCF0625-1.jpg" data-mid="253464808" border="0"  src="https://freight.cargo.site/w/1000/i/e319e1719b320f23e9f5ccfe42e9c01660ad6734747566fb6bf559bd826056df/DSCF0625-1.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Salford Everywhere</title>
				
		<link>https://matthewrosier.com/Salford-Everywhere-1</link>

		<pubDate>Wed, 21 Oct 2026 11:33:36 +0000</pubDate>

		<dc:creator>Matthew Rosier</dc:creator>

		<guid isPermaLink="true">https://matthewrosier.com/Salford-Everywhere-1</guid>

		<description>&#60;img width="4000" height="2668" width_o="4000" height_o="2668" data-src="https://freight.cargo.site/t/original/i/7b30db225eb6b3bfe10ec63c93c2688407c2f413b28dc782fc175686c8c4cbc0/Salford100SalfordEverywhere_Edit_09.JPG" data-mid="253556150" border="0"  src="https://freight.cargo.site/w/1000/i/7b30db225eb6b3bfe10ec63c93c2688407c2f413b28dc782fc175686c8c4cbc0/Salford100SalfordEverywhere_Edit_09.JPG" /&#62;
	Salford Everywhere (2026)
Public Artwork &#124; Salford, UK &#124; Salford Council / From the OtherA collective video portrait made for Salford’s centenary. 1,553 people from across the city were projected at monumental scale onto the Shopping City tower, culminating in a gathering of thousands at Peel Park with a soundtrack and live music.


	
&#60;img width="4000" height="2668" width_o="4000" height_o="2668" data-src="https://freight.cargo.site/t/original/i/8f47b92d41c8d9aabc30ce73a1fc6e8c92888febf751f29e711f0288cec23b28/Salford100SalfordEverywhere_Edit_13.JPG" data-mid="253556144" border="0"  src="https://freight.cargo.site/w/1000/i/8f47b92d41c8d9aabc30ce73a1fc6e8c92888febf751f29e711f0288cec23b28/Salford100SalfordEverywhere_Edit_13.JPG" /&#62;
	Filming TourWe took a touring film set to ten locations across the city, from Victorian ballrooms to hospitals, MediaCity and social clubs. Every participant was filmed in front of the same grey backdrop. Facilitated by movement director Kevin Turner MBE, people were first filmed parading as a group, then one by one, encouraged to represent themselves through movement, objects and actions.
	

&#60;img width="4216" height="6324" width_o="4216" height_o="6324" data-src="https://freight.cargo.site/t/original/i/98779c539e407a8d847169e4264eac09e5ab390c5526cf47fa1109fb95b9be2e/DSC01119.jpg" data-mid="253556148" border="0"  src="https://freight.cargo.site/w/1000/i/98779c539e407a8d847169e4264eac09e5ab390c5526cf47fa1109fb95b9be2e/DSC01119.jpg" /&#62;
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/0cdfaeeb39a2baa5eebf61eb4810fb766a3831afc41ff5fe0ccafe6cc24e1c94/_edfdsf.jpg" data-mid="253559329" border="0"  src="https://freight.cargo.site/w/1000/i/0cdfaeeb39a2baa5eebf61eb4810fb766a3831afc41ff5fe0ccafe6cc24e1c94/_edfdsf.jpg" /&#62;

	A City Gathering&#38;nbsp;Thousands gathered at Peel Park to watch Salford Everywhere, where all the filmed groups came together in a triptych. School children, NHS workers, drag artists, vicars, Tesco staff, construction workers, pigeon fanciers and the production crew crossed paths across the three facades of the Maxwell Building, in moments of juxtaposition and playfulness. As on a busy street, the audience’s eyes were drawn from one character to another.
 
	
&#60;img width="1600" height="1343" width_o="1600" height_o="1343" data-src="https://freight.cargo.site/t/original/i/0059533f1c7c4cdd8f1454af358e6131b3d4527f4040f4aa7eb0b9559ab7d9ed/Salford-Everywhere_Breige-Cobane-73.jpg" data-mid="253564156" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/0059533f1c7c4cdd8f1454af358e6131b3d4527f4040f4aa7eb0b9559ab7d9ed/Salford-Everywhere_Breige-Cobane-73.jpg" /&#62;
	Shopping City Procession
Ten minutes up the road from Peel Park, the iconic Shopping City tower hosted a procession of all 1,553 participants across both evenings, each having their moment as part of the collective. People travelling to and from Peel Park passed beneath it, encountering the projection as a monumental credits list. It also shared the project with the wider city: a tribute, on Salford’s 100th birthday, to the people who make it up.
	
&#60;img width="4250" height="2835" width_o="4250" height_o="2835" data-src="https://freight.cargo.site/t/original/i/ec724f70fb943c37a3ea5bec44063bf532eaafa4cc1705b130ed3f80da0b8750/Salford100SalfordEverywhere_Overs_046.png" data-mid="253559333" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/ec724f70fb943c37a3ea5bec44063bf532eaafa4cc1705b130ed3f80da0b8750/Salford100SalfordEverywhere_Overs_046.png" /&#62;

&#60;img width="4250" height="2835" width_o="4250" height_o="2835" data-src="https://freight.cargo.site/t/original/i/700c1cd3b49f98624034bdc1f07cf013741619e24bcbf2c927c1bfe5000b5e35/Salford100SalfordEverywhere_Overs_087.JPG" data-mid="253590895" border="0"  src="https://freight.cargo.site/w/1000/i/700c1cd3b49f98624034bdc1f07cf013741619e24bcbf2c927c1bfe5000b5e35/Salford100SalfordEverywhere_Overs_087.JPG" /&#62;
&#60;img width="882" height="1142" width_o="882" height_o="1142" data-src="https://freight.cargo.site/t/original/i/569514d5b7d769e780fd99924cd55298322e77a4cebddf3cfa48d536a30b685b/Salford-Everywhere_Breige-Cobane-31.png" data-mid="253590967" border="0"  src="https://freight.cargo.site/w/882/i/569514d5b7d769e780fd99924cd55298322e77a4cebddf3cfa48d536a30b685b/Salford-Everywhere_Breige-Cobane-31.png" /&#62;


	Music
The Peel Park event was set to a soundtrack by DJ and composer AFRODEUTSCHE, drawing on Salford’s musical heritage as well as global influences. It was punctuated by live performances from poet Lynn Walton, Eccles Borough Band and the Pendleton Sixth Form College Choir, with the band and choir arranged and conducted by Michael Betteridge. The evening closed on “Dirty Old Town”, Ewan MacColl’s song about Salford, sung back to the city by the people of the city, bringing moments of both poignancy and joy.
	


&#60;img width="1600" height="1323" width_o="1600" height_o="1323" data-src="https://freight.cargo.site/t/original/i/54b80d06ea9dbaf006a5495893740b2157aa0c9a03c4020e3020c5f37bc8aab9/Salford-Everywhere_Breige-Cobane-44.jpg" data-mid="253590968" border="0"  src="https://freight.cargo.site/w/1000/i/54b80d06ea9dbaf006a5495893740b2157aa0c9a03c4020e3020c5f37bc8aab9/Salford-Everywhere_Breige-Cobane-44.jpg" /&#62;
&#60;img width="1600" height="1173" width_o="1600" height_o="1173" data-src="https://freight.cargo.site/t/original/i/f4396a5b573aac22ed6ed683061888fec6124f5dbd33cd882946670551b69a4a/Salford-Everywhere_Breige-Cobane-37.jpg" data-mid="253590973" border="0"  src="https://freight.cargo.site/w/1000/i/f4396a5b573aac22ed6ed683061888fec6124f5dbd33cd882946670551b69a4a/Salford-Everywhere_Breige-Cobane-37.jpg" /&#62;

Reception
	Over 4,000 people came to see the performances at Peel Park, greeting the work with cheers and some tears. Coaches brought participants in from further-flung parts of the city, and full recordings were shared with every community group involved, so those who couldn’t attend could still see themselves in the work. Salford City Mayor Paul Dennett personally thanked everyone involved for bringing people together, at a moment of social division in the city and the wider country.
A souvenir poster designed by Lydia Wakelam of From the Other was given to every attendee, risograph-printed with the names of all the gro
	
ups who took part.
&#60;img width="1750" height="2353" width_o="1750" height_o="2353" data-src="https://freight.cargo.site/t/original/i/35d9765df154cde41094a13843c34dac5c7449daf19691b1209c13362cddf8ab/poster.jpg" data-mid="253556141" border="0" data-scale="33" src="https://freight.cargo.site/w/1000/i/35d9765df154cde41094a13843c34dac5c7449daf19691b1209c13362cddf8ab/poster.jpg" /&#62;
CreditsCreative Team

Lead Artist: Matthew Rosier
Music Director: AFRODEUTSCHE
Arranger &#38;amp; Conductor: Michael Betteridge
Movement Director: Kevin Edward Turner MBE
Videographer: Izzy Pye
BTS Photographer: Oliver Clarke
Executive Producer: Mark Carlin
Senior Producer: Georgie Edwards
Press Manager: Oscar Lister
Marketing Manager: Néad Nunes
Visual Identity &#38;amp; Design: Lydia Wakelam
Film crew: Natalie, Tylah Pierce, Arthur Carlin, Cloé Gregson &#38;amp; Lulu Prowse

Live Performance

Music: Eccles Borough Band, Pendleton Sixth Form College Choir, Poet Lynn Walton, Featuring the voice of the late Rob Dunford
Video &#38;amp; Projection: Greymatter
Sound: Tube
Window coverings: Walk the Plank
Site Manager: Kat Brown
Access Manager: Jess Telling
Volunteer Manager: Tylah Pierce
Artist Liaison: Izzy Kennedy
Show Caller: Beau Scott &#38;amp; Sophie Bee
Photography: Breige Cobane &#38;amp; James Speakman
Videography: Tripledot
Film maker: George Selley

Community Engagement &#38;amp; Access

Rizwan Iqbal, Keri Muldoon, Tylah Pierce, Ngozi Ugochukwu

Commissioned by Salford City Council as part of Salford 100, celebrating one hundred years of our city. Supported using public funding by Arts Council England.

With thanks to From the Other, University of Salford, English Cities Fund, Crescent Salford and Kier.
</description>
		
	</item>
		
		
	<item>
		<title>Luton Henge</title>
				
		<link>https://matthewrosier.com/Luton-Henge-1</link>

		<pubDate>Thu, 22 Oct 2026 12:19:21 +0000</pubDate>

		<dc:creator>Matthew Rosier</dc:creator>

		<guid isPermaLink="true">https://matthewrosier.com/Luton-Henge-1</guid>

		<description>&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/3ab26ae3bebb20f98f0f54b47b3c2cd2fd8734deb9c7d1569c664691c8e2761a/Luton-Henge-01_Photo-by-Roo-Lewis-2025.jpg" data-mid="253591339" border="0"  src="https://freight.cargo.site/w/1000/i/3ab26ae3bebb20f98f0f54b47b3c2cd2fd8734deb9c7d1569c664691c8e2761a/Luton-Henge-01_Photo-by-Roo-Lewis-2025.jpg" /&#62;
	Luton Henge (2025)
Public Artwork &#124; Luton, UK &#124; National Landscapes Association / Chilterns National LandscapeA stone circle and community gathering space on the Leagrave estate, on the edge of Luton, inspired by the site’s Neolithic history. Created with the surrounding community over the course of a year, it opened in summer 2025 with the first Luton Henge Festival, now an annual event.

	

	Creation ProcessOver six months, Matthew led a creation process with local residents, supported by Revoluton Arts, exploring the work’s inspirations, from Neolithic history and material culture to quarry raves. It culminated in “What is a Luton Henge?”, a community gathering where people discussed their hopes for their new Henge. This process directly shaped the design of the Henge, how it will be managed, and the opening festival.

The work was strongly inspired and supported by the Exodus Collective (above), the Luton free party and community action collective of the 1990s, now Marsh Farm Outreach, who run the community centre next to the site. The Henge saught to connect gatherings across time, from the Neolithic, through the free parties of the 1990s, to today, and the human need to gather in the landscape.
	

&#60;img width="2000" height="2500" width_o="2000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/641c04ccbe7ef080ee7d9a6c4bfc978064b46257553a1e1e22a6f4cd3e08f194/Luton_Print_005_PORTRAIT.jpg" data-mid="253593454" border="0"  src="https://freight.cargo.site/w/1000/i/641c04ccbe7ef080ee7d9a6c4bfc978064b46257553a1e1e22a6f4cd3e08f194/Luton_Print_005_PORTRAIT.jpg" /&#62;
&#60;img width="2375" height="1854" width_o="2375" height_o="1854" data-src="https://freight.cargo.site/t/original/i/bfb18eb521983042db8bafb27f548245f74162d1bc2c269168cc256460164905/Screenshot-2026-10-22-at-14.58.47.png" data-mid="253593537" border="0"  src="https://freight.cargo.site/w/1000/i/bfb18eb521983042db8bafb27f548245f74162d1bc2c269168cc256460164905/Screenshot-2026-10-22-at-14.58.47.png" /&#62;

	DesignThe henge is made entirely of chalk, from the standing stones of chalk “clunch”, the last to be taken from an ancient quarry nearby, to the hammered chalk centre circle and pathway. Set within a BMX track, the design reshaped the site to create a central gathering space while keeping the track intact. Each of the eight stones is oriented with meaning, pointing towards the nearby source of the River Lea, or to sunrise and sunset on the solstices. A series of seats made from charred local wood were designed with architecture studio Common Practice and built with residents through workshops.

Matthew led the design and secured full planning permission with the support of Chilterns National Landscape and Luton Council.
	

&#60;img width="2000" height="2500" width_o="2000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/44f60140f65d9896524a6fd75398acd249cc468f50aabed8f3e756088b6485e6/Luton_Print_005_CROP.jpg" data-mid="253591352" border="0"  src="https://freight.cargo.site/w/1000/i/44f60140f65d9896524a6fd75398acd249cc468f50aabed8f3e756088b6485e6/Luton_Print_005_CROP.jpg" /&#62;
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/4a58ee58d62fee9be1c30702bd803f70e3ea27867b2ed3fa0b24750e4487692e/Luton_002_04b.jpg" data-mid="253591351" border="0"  src="https://freight.cargo.site/w/1000/i/4a58ee58d62fee9be1c30702bd803f70e3ea27867b2ed3fa0b24750e4487692e/Luton_002_04b.jpg" /&#62;
&#60;img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/aec6cad3899fe9e11484af8aa70a02a281afb9cb9098624f0cc70204024c65e9/_DSF8516.jpeg" data-mid="253593911" border="0"  src="https://freight.cargo.site/w/1000/i/aec6cad3899fe9e11484af8aa70a02a281afb9cb9098624f0cc70204024c65e9/_DSF8516.jpeg" /&#62;

	BuildDuring the heatwaves of early summer 2025, a team led by Common Practice, including Matthew and local residents, built the Henge largely by hand. Every stage was an opportunity for local people to have a hand in its making, from tamping down the chalk with hammers to building the benches and landscaping the site. It was finished in time for the summer solstice, which was marked with an informal gathering around a fire at the centre of the new Henge.
	

&#60;img width="3090" height="2048" width_o="3090" height_o="2048" data-src="https://freight.cargo.site/t/original/i/18a3843a18fe4ec857fc2efc5f5f4f40c78c7aad10c5755c3052e4ba9047e36a/MATT-ROSIER-01.jpg" data-mid="253594351" border="0"  src="https://freight.cargo.site/w/1000/i/18a3843a18fe4ec857fc2efc5f5f4f40c78c7aad10c5755c3052e4ba9047e36a/MATT-ROSIER-01.jpg" /&#62;
&#60;img width="3090" height="2048" width_o="3090" height_o="2048" data-src="https://freight.cargo.site/t/original/i/1294fb9743d059e907504692f480d6271387e8220678f4fc1b2441c06747a451/MATT-ROSIER-11.jpg" data-mid="253594251" border="0"  src="https://freight.cargo.site/w/1000/i/1294fb9743d059e907504692f480d6271387e8220678f4fc1b2441c06747a451/MATT-ROSIER-11.jpg" /&#62;
&#60;img width="3090" height="2048" width_o="3090" height_o="2048" data-src="https://freight.cargo.site/t/original/i/a9a9fb685891b1b69eed6a74287e61c03d61f0cd3e04ddc295144a5b35e5f41c/MATT-ROSIER-13.jpg" data-mid="253594258" border="0"  src="https://freight.cargo.site/w/1000/i/a9a9fb685891b1b69eed6a74287e61c03d61f0cd3e04ddc295144a5b35e5f41c/MATT-ROSIER-13.jpg" /&#62;

	FestivalTo introduce the Henge to the Leagrave community, a new folk festival was created: Luton Henge Festival. Led by Revoluton Arts, it invited local artists, comedians, makers and musicians to perform in the Henge, testing how the space could be used from day into evening. Hundreds of residents came along, and in 2026 the festival expanded to a full weekend.
	
&#60;img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/448b3e33ec7a00f58b96c245116e9ced7ee2e6820ce54071c6ce26d39bd7e6cc/LUTON_HENGE_FINALS-33.jpg" data-mid="253594381" border="0" data-scale="91" src="https://freight.cargo.site/w/1000/i/448b3e33ec7a00f58b96c245116e9ced7ee2e6820ce54071c6ce26d39bd7e6cc/LUTON_HENGE_FINALS-33.jpg" /&#62;

&#60;img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/a44ecf5b65f6357f8a5707f683b844a75295dd612e2328bb631494efe31f9d3f/LUTON_HENGE_FINALS-10.jpg" data-mid="253594384" border="0"  src="https://freight.cargo.site/w/1000/i/a44ecf5b65f6357f8a5707f683b844a75295dd612e2328bb631494efe31f9d3f/LUTON_HENGE_FINALS-10.jpg" /&#62;
&#60;img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/8bc36e66946f0bd39a6bfd9d97b0b19027fa6b5d4945cbe5bfecd6a85090fbc2/LUTON_HENGE_FINALS-1.jpg" data-mid="253594395" border="0"  src="https://freight.cargo.site/w/1000/i/8bc36e66946f0bd39a6bfd9d97b0b19027fa6b5d4945cbe5bfecd6a85090fbc2/LUTON_HENGE_FINALS-1.jpg" /&#62;

	FutureThe Henge is now cared for by Revoluton Arts and Marsh Farm Outreach. Together they raised funds for the 2026 festival, as well as further commissions and workshops that respond to the Henge. Revoluton Arts also supports the Marsh Farm Young Collective, a group of young creatives shaping the Henge’s future programme. For the 2026 autumn equinox, Matthew mentored the group to stage “Memorave 2.0”, an audiovisual event bringing video, light and rave music into the Henge to explore the area’s legacy of music and activism, and its hopes for the future.
	


&#60;img width="2000" height="2500" width_o="2000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/c505e7e8f29599bcb1f589525c45c00c97285d34458433eb29424bf524c4c8e7/Luton_Print_013.jpg" data-mid="253591371" border="0"  src="https://freight.cargo.site/w/1000/i/c505e7e8f29599bcb1f589525c45c00c97285d34458433eb29424bf524c4c8e7/Luton_Print_013.jpg" /&#62;
&#60;img width="2000" height="2500" width_o="2000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/96daeea6e485a5626b1d40bb2e3d104c43a55d0cc1b92b358808c648b79c7ef1/Luton_Print_009.jpg" data-mid="253594428" border="0"  src="https://freight.cargo.site/w/1000/i/96daeea6e485a5626b1d40bb2e3d104c43a55d0cc1b92b358808c648b79c7ef1/Luton_Print_009.jpg" /&#62;

Selected MediaITV News (TV)
BBC News (TV)
BBC News
Recessed Space


	CreditsArtist: Matthew RosierProducing Partner: Revoluton ArtsBench co-creation and site contractor: Common PracticeGroundworks: Farren Contractors Commissioned by: Chilterns National Landscape in partnership with the National Landscapes Association, Activate Performing Arts and the Poetry SchoolCreative Producer: Lucy WoodCommunity steering group: Luton Henge CollectiveFunded by: Arts Council England and the Department for Environment, Farming and Rural Affairs (Defra)
	
&#60;img width="3090" height="2048" width_o="3090" height_o="2048" data-src="https://freight.cargo.site/t/original/i/4ae6a11677794cae2f2bf3d069fa2c45fb6045f7463f3d98c26bc9bf83148d2b/MATT-ROSIER-09.jpg" data-mid="253594353" border="0" data-scale="67" src="https://freight.cargo.site/w/1000/i/4ae6a11677794cae2f2bf3d069fa2c45fb6045f7463f3d98c26bc9bf83148d2b/MATT-ROSIER-09.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Parade</title>
				
		<link>https://matthewrosier.com/Parade</link>

		<pubDate>Fri, 25 Jul 2025 08:22:55 +0000</pubDate>

		<dc:creator>Matthew Rosier</dc:creator>

		<guid isPermaLink="true">https://matthewrosier.com/Parade</guid>

		<description>
&#60;img width="2500" height="1401" width_o="2500" height_o="1401" data-src="https://freight.cargo.site/t/original/i/0ca33bee6a80c9cf6085aeddd33de90f0f30b2f18bb68974d748325b994ee747/Artboard-3.png" data-mid="253491892" border="0"  src="https://freight.cargo.site/w/1000/i/0ca33bee6a80c9cf6085aeddd33de90f0f30b2f18bb68974d748325b994ee747/Artboard-3.png" /&#62;

	Berwick Parade (2025)
Public Artwork &#124; Berwick-upon-Tweed, UK &#124; The MaltingsA giant scale
projected parade featuring nearly 1,000 local residents.
Over the three nights thousands of people gathered in the centre of Berwick Barracks Parade Ground, turning its historic function inside out, to watch the performance with live drumming and pipes.&#38;nbsp;

	


	FilmingOver five days participants were filmed moving one by one in front of a plain grey backdrop, exactly one tenth of the size of the real Berwick Barracks’ largest wall. Filmed groups included farmers, dock workers, wild swimmers, military veterins, a class from every school. In total we filmed 850 participants, and the filming days themselves became moments of community connection, where people and groups from all different walks of life overlapped, chatted, had a cup of tea, watched others.



	

&#60;img width="5374" height="3583" width_o="5374" height_o="3583" data-src="https://freight.cargo.site/t/original/i/27725cf52bbe332e0044b65568e27e530584d9119a496b886a84f9560a7ab0d0/_DSC4743-copy.jpg" data-mid="253491946" border="0"  src="https://freight.cargo.site/w/1000/i/27725cf52bbe332e0044b65568e27e530584d9119a496b886a84f9560a7ab0d0/_DSC4743-copy.jpg" /&#62;
&#60;img width="3425" height="4795" width_o="3425" height_o="4795" data-src="https://freight.cargo.site/t/original/i/17d210f4e7dcc5e49b1aae62abe04b8957a14072457c3613386f49faada32b72/_DSC3041-copy.jpg" data-mid="253492298" border="0"  src="https://freight.cargo.site/w/1000/i/17d210f4e7dcc5e49b1aae62abe04b8957a14072457c3613386f49faada32b72/_DSC3041-copy.jpg" /&#62;
&#60;img width="4872" height="3253" width_o="4872" height_o="3253" data-src="https://freight.cargo.site/t/original/i/3ea58bd5a20ef9083af2856162922c47b1f994da0ce18aa982444aa344f0ffd3/_DSC7057-copy.jpg" data-mid="253510724" border="0"  src="https://freight.cargo.site/w/1000/i/3ea58bd5a20ef9083af2856162922c47b1f994da0ce18aa982444aa344f0ffd3/_DSC7057-copy.jpg" /&#62;


	ParadeOver one weekend people gatehred to watch the projected parade featuring over 800 local residents. Participants were edited together to form one continuous parade projected at giant scale onto the three walls of Berwick Barracks’s parade ground. The parade ground’s historic function, to watch miltary ceremonies taking place within, was turned inside out: the wider community standing within to watch their town parade around them.&#38;nbsp;
	
&#60;img width="5509" height="3673" width_o="5509" height_o="3673" data-src="https://freight.cargo.site/t/original/i/cab80346a76a4649187ca7b3cb2c629188492d97d8da3e311e8f2f9c237a2365/Berwick-Parade_Photo-by-Jennifer-Charlton-2025.jpeg" data-mid="253492271" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/cab80346a76a4649187ca7b3cb2c629188492d97d8da3e311e8f2f9c237a2365/Berwick-Parade_Photo-by-Jennifer-Charlton-2025.jpeg" /&#62;
&#60;img width="5315" height="3543" width_o="5315" height_o="3543" data-src="https://freight.cargo.site/t/original/i/a7e09ae9b756c0399cf4ee3edb805aa4e6c6da7e86fffeed92a4ed20657f93e6/_DSC8726-copy.jpeg" data-mid="236256312" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/a7e09ae9b756c0399cf4ee3edb805aa4e6c6da7e86fffeed92a4ed20657f93e6/_DSC8726-copy.jpeg" /&#62;

	Music
To give the parade a feeling of aliveness and forward momentum, we worked with a pipe band and military band who improvised across the six performances. With the bands playing amongst the audience, this liveness created a connection between those watching and being projected. The site was turned into a mini-festival, with drinks and food, to cultivate a feelign of a community festival, ritual or moment.
	

&#60;img width="2736" height="3420" width_o="2736" height_o="3420" data-src="https://freight.cargo.site/t/original/i/2b2e53964c5b78c8a0cb7bc46e31aa37528412e36c79950f335711a064a1ba9a/_DSC8414-copy.jpg" data-mid="253511303" border="0"  src="https://freight.cargo.site/w/1000/i/2b2e53964c5b78c8a0cb7bc46e31aa37528412e36c79950f335711a064a1ba9a/_DSC8414-copy.jpg" /&#62;
&#60;img width="5109" height="3411" width_o="5109" height_o="3411" data-src="https://freight.cargo.site/t/original/i/64b223e439cbd8a0e9a6e3e2fa982e02a8abe3eebc3a5f8bbc404184e226430e/melrose_pip_band.jpg" data-mid="253765872" border="0"  src="https://freight.cargo.site/w/1000/i/64b223e439cbd8a0e9a6e3e2fa982e02a8abe3eebc3a5f8bbc404184e226430e/melrose_pip_band.jpg" /&#62;

CreditsArtist: Matthew RosierCommissioned &#38;amp; produced by The MaltingsChorography: Chloe SayersVideography: Carl JoyceTechnical manager: Ed BorgnisVideo engineer: Nick LawsPhotography: Jennifer CharltonLive music: Kings Own Scottish Borderers Band with the Melrose Pipe BandFunded by North of Tyne Combined Authority and Northumberland County
Council and through The Cultural Development Fund
</description>
		
	</item>
		
		
	<item>
		<title>Keppel's Column</title>
				
		<link>https://matthewrosier.com/Keppel-s-Column</link>

		<pubDate>Wed, 21 Apr 2021 11:30:23 +0000</pubDate>

		<dc:creator>Matthew Rosier</dc:creator>

		<guid isPermaLink="true">https://matthewrosier.com/Keppel-s-Column</guid>

		<description>&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/5d3c173fe0a7b2f2bca1b08807539f5e978718bb1252661b1228e2af44c5e665/DSC_0079.jpg" data-mid="164100007" border="0"  src="https://freight.cargo.site/w/1000/i/5d3c173fe0a7b2f2bca1b08807539f5e978718bb1252661b1228e2af44c5e665/DSC_0079.jpg" /&#62;
	Keppel’s Column (2021)
Public art installation &#124; Rotherham, UK &#124;&#38;nbsp;Rotherham Council
A projected parade of residents of the estate adjacent to Keppels’ column, a 30m tall folly originally built in honour of Admiral Keppel “in commemoration of his acquittal at a court martial in 1779”. Presented in April 2021, shortly after release from the second national lockdown, this work sought to temporarily recast the monument as one dedicated to community and human connection.&#38;nbsp;
	
</description>
		
	</item>
		
		
	<item>
		<title>City of Trees</title>
				
		<link>https://matthewrosier.com/City-of-Trees</link>

		<pubDate>Fri, 12 Nov 2021 11:27:57 +0000</pubDate>

		<dc:creator>Matthew Rosier</dc:creator>

		<guid isPermaLink="true">https://matthewrosier.com/City-of-Trees</guid>

		<description>&#60;img width="2048" height="1435" width_o="2048" height_o="1435" data-src="https://freight.cargo.site/t/original/i/357a95006b920d65b5aefdc80158140940637af27f925a10c7ab44633c175fc6/i-VgJVJGT-X4.jpeg" data-mid="164099987" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/357a95006b920d65b5aefdc80158140940637af27f925a10c7ab44633c175fc6/i-VgJVJGT-X4.jpeg" /&#62;

	City of Trees (2021)
Public artwork &#124; City of London, UK &#124; City of London
A public installation and film series that memorialised the historic relationship between Londoners and Epping Forest. Through an immersive installation comprising large-scale video projection, soundscape, music and wooden structures, the work conjured ancient trees and rituals of Epping Forest within the heart of the City of London.
	



 


	InstallationIn Autumn 2021 life-size video portraits of Oak, Beech and Hornbeam pollards from Epping were projected onto St Mary Aldermary Church in the City accompanied by an immersive soundscape by James Bulley and original musical score for each by NYX and Laura Misch, and benches formed from two halves of a recently felled oak from Epping.
	
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/52a41b58a5a9ac38bdaedfd3203979daf21ae4d1d5890104f8134e62a7fda81e/DSC_0263_HQ_o.jpg" data-mid="164099990" border="0"  src="https://freight.cargo.site/w/1000/i/52a41b58a5a9ac38bdaedfd3203979daf21ae4d1d5890104f8134e62a7fda81e/DSC_0263_HQ_o.jpg" /&#62;
	Live Show&#38;nbsp;In 2022, the work was transformed into a live performance at Kings Place, London, with musician Laura Misch and electronic drone choir NYX performing on either side of a suspended gauze carrying the Epping Forest projections.
	

&#60;img width="2000" height="2500" width_o="2000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/ac318b4ed38421d5f233eeb3eccf747a6ff19663bcf8e5b2223d69e6f2bc1199/Image-03_PORTRAIT.jpg" data-mid="253597135" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/ac318b4ed38421d5f233eeb3eccf747a6ff19663bcf8e5b2223d69e6f2bc1199/Image-03_PORTRAIT.jpg" /&#62;

	
	Music ReleaseRecorded in Epping Forest, the music from the piece was later released as an EP, Songs of Epping Forest: Dreamscapes for Voice, Saxophone and Trees.
	

&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/08a9c4216d6dff469d32a7cd9616e2bf5ac0b6567f9c5529047727fc1df0af5d/6B1B1884.jpg" data-mid="253597267" border="0"  src="https://freight.cargo.site/w/1000/i/08a9c4216d6dff469d32a7cd9616e2bf5ac0b6567f9c5529047727fc1df0af5d/6B1B1884.jpg" /&#62;
&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/07ca18650fa9eae68aee9020d3624ebace8e0f944f80302db014aeaa42bccc7f/NYX_2022_DIGI_COVER-1.jpg" data-mid="253597271" border="0"  src="https://freight.cargo.site/w/1000/i/07ca18650fa9eae68aee9020d3624ebace8e0f944f80302db014aeaa42bccc7f/NYX_2022_DIGI_COVER-1.jpg" /&#62;

	Credits

Artist: Matthew Rosier
Music: NYX, Laura Misch, James Bulley
Benches: Saunders Seasonings
Accompanying films &#38;amp; installation video: Greg Barnes
Project Assistant: Greg White
City of London: Laurie Miller-Zutshi, Alice Spalding
Thanks: St Mary Aldermary Church, Luke Turner, Paul Wood, Tab Binding, Nina Williams, Gavin BodenhamPhotos:&#38;nbsp;Ben Broomfield, 2021The project was commissioned by the City of London, who manage Epping Forest, and involved close collaboration with conservation and visitor staff at Epping Forest.


	

</description>
		
	</item>
		
		
	<item>
		<title>Shadowing</title>
				
		<link>https://matthewrosier.com/Shadowing</link>

		<pubDate>Fri, 02 Mar 2018 16:43:47 +0000</pubDate>

		<dc:creator>Matthew Rosier</dc:creator>

		<guid isPermaLink="true">https://matthewrosier.com/Shadowing</guid>

		<description>

	Shadowing (2014)
Public artwork &#124; Various locations &#124; Various commissioners












Shadowing gives memory to streetlights, enabling them to record and play back the shadows of those who pass underneath. The series of eight Shadowing streetlights continue to tour cities around the world through Matt's collaborative studio Chomko &#38;amp; Rosier. Shadowing is now available as a permanent public artwork, manufactured in partnership with Ark Lighting, with the first permanent Shadowing installed in Doncaster since 2022.Shadowing has previously been installed in locations including Austin, Tokyo, Tel Aviv, Paris, London’s South Bank, the City of London, Bristol, York, Carlisle, Doncaster and Gloucester. It’s been nominated as a Design of the Year by London’s Design Museum and received awards including the Active Public Space Award.If you would like further information or are interested in commissioning Shadowing as a temporary or permanent work please contact info@chomkorosier.com.
	
 



Selected MediaDezeenDomusCool HuntingWiredBBCThe Creators ProjectTech SparkUrban Policy and Participatory Planning Location-Based Games.The Heart of Smart Cities: A case for the relevance of art in data driven citiesLet's Get Lost: Poetic City Meets Data CityThe Playful City: play and games for citizen participation in the smart city.

ExhibitionsWatershed, Bristol (2014)Make it York, York (2015)Design Museum, London (2015)British Council Japan, Tokyo (2016) Bat Yam Street Art Festival, Bat Yam, Israel (2017)City of London, London (2017)Layered Realities Weekend, Brisol, UK (2018)Art in Public Places, Austin, Texas (2018)Théâtre du Châtelet, Paris, France (2019)Southwark Council, London, UK (2020)AwardsPlayable City Award 2014Design of the Year Nominee 2014/15Active Public Space Award 2016


</description>
		
	</item>
		
		
	<item>
		<title>Navvies</title>
				
		<link>https://matthewrosier.com/Navvies</link>

		<pubDate>Mon, 09 Jan 2023 16:27:51 +0000</pubDate>

		<dc:creator>Matthew Rosier</dc:creator>

		<guid isPermaLink="true">https://matthewrosier.com/Navvies</guid>

		<description>&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/a522291d43323273dd1a1d6821ae8116f03451b515de801f4cd71576a12b5b8d/5.jpg" data-mid="164231915" border="0"  src="https://freight.cargo.site/w/1000/i/a522291d43323273dd1a1d6821ae8116f03451b515de801f4cd71576a12b5b8d/5.jpg" /&#62;
	Navvies (2022)

Public Artwork &#124; Salford, UK &#124; Quays Culture x MediaCity x MedialeAn artwork commemorating the 17,000 labourers, or “navvies”, who dug the Manchester Ship Canal. The project was built around the action most associated with the navvy: digging. Matthew and producers Mediale worked with homeless charity Loaves &#38;amp; Fishes to explore this legacy, co-designing a new community garden in the heart of Salford’s MediaCity and creating an audiovisual artwork beneath the water of the Ship Canal.
	

&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/70556785d136e8cd9cc780d6c426507a6953a0ec904de9963d2aaf3b2b6db796/DSC_0010-edit-small-2.jpg" data-mid="164232175" border="0"  src="https://freight.cargo.site/w/1000/i/70556785d136e8cd9cc780d6c426507a6953a0ec904de9963d2aaf3b2b6db796/DSC_0010-edit-small-2.jpg" /&#62;

	Digging&#38;nbsp;
On a rainy day in September, Matthew, members of the Loaves &#38;amp; Fishes community and sixth form students from Pendleton College, supported by the MediaCity gardening team, dug out the footprint of the new Navvies Garden. It became a groundbreaking ceremony, echoing the one that marked the start of the Manchester Ship Canal’s construction 135 years earlier.


The digging was filmed from high above using a telehandler. White spades, picks and barrows were used to contrast with the earth. These moving, disembodied tools became the basis of the underwater projection, commemorating the anonymous labour of the navvies.
	




	Installation

Footage of the garden being dug was projected beneath the surface of the Manchester Ship Canal for a two-week installation, connecting labour past and present through the act of digging.


The artwork was accompanied by a soundscape by Hayley Suviste, weaving recorded testimonies from the Loaves &#38;amp; Fishes community with original orchestral music recorded with the BBC Philharmonic Orchestra. Together, the underwater spades, picks and barrows and the orchestral score formed a digging symphony, the tools working in unspoken harmony. Hundreds of thousands of people encountered the work in the Ship Canal.
	
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/7047df482011d681a71cf8b35914854f87d29495c140d9c9c296dd6d707e5b0c/5.jpg" data-mid="164232024" border="0"  src="https://freight.cargo.site/w/1000/i/7047df482011d681a71cf8b35914854f87d29495c140d9c9c296dd6d707e5b0c/5.jpg" /&#62;

	Garden &#38;amp; Legacy
The Navvies Garden was officially opened with a community event attended by descendants of navvies and Irish writer Ultan Cowley, author of The Men Who Built Britain, a history of the Irish navvy. The garden continues to thrive, offering a quiet space amid the noise of MediaCity, and has become a place for navvies’ descendants to visit.
	


&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/d39680617ee8c823895e181a60e5e6a19b03a5d8827f51c788b2b138949dd2a8/0c02a438-4850-4ca9-860f-6657647e322a.JPG" data-mid="253763806" border="0"  src="https://freight.cargo.site/w/1000/i/d39680617ee8c823895e181a60e5e6a19b03a5d8827f51c788b2b138949dd2a8/0c02a438-4850-4ca9-860f-6657647e322a.JPG" /&#62;
&#60;img width="1800" height="2400" width_o="1800" height_o="2400" data-src="https://freight.cargo.site/t/original/i/07908225b1333b6234e35c5f1f1a17d77bf474bc399d084175b67137251cfea0/sfgdg.png" data-mid="253765009" border="0"  src="https://freight.cargo.site/w/1000/i/07908225b1333b6234e35c5f1f1a17d77bf474bc399d084175b67137251cfea0/sfgdg.png" /&#62;



	CreditsArtist: Matthew Rosier
Music: Composer; Hayley Suviste. Arranged by Daniel Whibley and recorded by the BBC Philharmonic.
Executive Producer: Mediale
Commissioned by Mediale, Quays Culture and MediaCity
Workshops &#38;amp; Consultation: Dr Jessica Symons
Community Group: Salford Loaves &#38;amp; Fishes
Supported by Arts Council England, Historic England and Greater Manchester Combined AuthorityNavvies was produced by Mediale and commissioned by Quays Culture. It brought together an array of local and national partners with the community of Salford, including MediaCity, BBC, Historic England, Quays Culture and Loaves and Fishes.
	

</description>
		
	</item>
		
		
	<item>
		<title>108 Steps</title>
				
		<link>https://matthewrosier.com/108-Steps</link>

		<pubDate>Wed, 30 May 2018 14:53:33 +0000</pubDate>

		<dc:creator>Matthew Rosier</dc:creator>

		<guid isPermaLink="true">https://matthewrosier.com/108-Steps</guid>

		<description>&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/0b2ec37a612955887646b1266badcb7cb64213764523f0ac3248cbe16d394fb7/Walking-stick.jpg" data-mid="164100034" border="0"  src="https://freight.cargo.site/w/1000/i/0b2ec37a612955887646b1266badcb7cb64213764523f0ac3248cbe16d394fb7/Walking-stick.jpg" /&#62;
	108 Steps (2018)

Public Artwork, 2018 &#124; Macclesfield, UK &#124; Cheshire East Council

108 Steps captured a week in the life of a historic staircase in Macclesfield and projected it back for the public to experience. During the three-night installation over 2,000 residents came to view and interact with the replaying, and in 2019 the project won the the London Contemporary Art Prize public vote award. The project was the result of a residency exploring the public spaces of Macclesfield, and was commissioned by SHIFT and Cheshire East Council with support from FutureEverything, Barnaby Festival and Arts Council England.
	

Photos by Richard Tymon, 2018


</description>
		
	</item>
		
	</channel>
</rss>